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Showing posts with label Hosier Lane. Show all posts
Showing posts with label Hosier Lane. Show all posts

Monday, August 31, 2009

It's The Fort That Counts

We're Starting To See A Pattern Here

Photograph copyright: DAVID McMAHON


It might look like faux military-style camouflage, but it ain’t. It might look like the door-and-window façade of some old fort, but it ain’t.

It’s just a view of Hosier Lane in Melbourne’s CBD. It's simply a narrow laneway, but it’s acquiring something of an international reputation because of the rich street art that has sprouted on the walls.

If you look carefully at the bottom right-hand corner of this image, you’ll actually see a segment of the footpath. That’s simply because the laneway is on an incline, and I shot this image dead straight to give you an idea of horizontal orientation.

That figure on the left, in the doorway, isn’t painted on the door’s glass surface. It’s actually the reflection of a real person. It was rainy, cold and windy when I shot this image, but there were at least half a dozen tourists and local students braving the weather and trying to shield their cameras from the rain.

That's the real attraction of street art. There's nowhere to hide - for the artist, or for the viewer.

Visit the creative team behind That's My World Tuesday.

It's The Fort That Counts

We're Starting To See A Pattern Here

Photograph copyright: DAVID McMAHON


It might look like faux military-style camouflage, but it ain’t. It might look like the door-and-window façade of some old fort, but it ain’t.

It’s just a view of Hosier Lane in Melbourne’s CBD. It's simply a narrow laneway, but it’s acquiring something of an international reputation because of the rich street art that has sprouted on the walls.

If you look carefully at the bottom right-hand corner of this image, you’ll actually see a segment of the footpath. That’s simply because the laneway is on an incline, and I shot this image dead straight to give you an idea of horizontal orientation.

That figure on the left, in the doorway, isn’t painted on the door’s glass surface. It’s actually the reflection of a real person. It was rainy, cold and windy when I shot this image, but there were at least half a dozen tourists and local students braving the weather and trying to shield their cameras from the rain.

That's the real attraction of street art. There's nowhere to hide - for the artist, or for the viewer.

Visit the creative team behind That's My World Tuesday.

Wednesday, July 29, 2009

Which Pokemon Are You?

And Why Are You Guarding This Doorway?

Photograph copyright: DAVID McMAHON


Doesn't this artwork remind you of the famous Pokemons? Remember the pocket monsters that took over the world a few years ago?

This is not really one of them. The image was shot in Hosier Lane, in Melbourne's central business district, about a fortnight ago. It's a narrow thoroughfare dating back to Melbourne's early development, but it has been transformed by urban art into what I call "a street of a million images".

Just when you think you've seen the most striking piece of art, another one forces you to re-evaluate.

If you look really carefully at this image you'll actually notice that this is actually a doorway and you can see a small silvery lock in the dead-centre of my frame. And do you see the lettering that says "CTCV" on the top left?

Interesting story, that .... the graffiti actually says "Sod CTCV". Well, okay, so it doesn't really say "Sod"; it uses a four-letter synonym. And whoever scrawled the message must have meant to write "CCTV" for closed-circuit television, instead.

For earlier posts in this series, check out The Doors Archive.

Which Pokemon Are You?

And Why Are You Guarding This Doorway?

Photograph copyright: DAVID McMAHON


Doesn't this artwork remind you of the famous Pokemons? Remember the pocket monsters that took over the world a few years ago?

This is not really one of them. The image was shot in Hosier Lane, in Melbourne's central business district, about a fortnight ago. It's a narrow thoroughfare dating back to Melbourne's early development, but it has been transformed by urban art into what I call "a street of a million images".

Just when you think you've seen the most striking piece of art, another one forces you to re-evaluate.

If you look really carefully at this image you'll actually notice that this is actually a doorway and you can see a small silvery lock in the dead-centre of my frame. And do you see the lettering that says "CTCV" on the top left?

Interesting story, that .... the graffiti actually says "Sod CTCV". Well, okay, so it doesn't really say "Sod"; it uses a four-letter synonym. And whoever scrawled the message must have meant to write "CCTV" for closed-circuit television, instead.

For earlier posts in this series, check out The Doors Archive.

Saturday, July 18, 2009

A Fishy Tale

Angling For An Introduction

Photograph copyright: DAVID McMAHON


This shot was one of a series that I took in Melbourne's most vibrant thoroughfare, Hosier Lane. The narrow laneway, off Flinders Street, is well known for its wall art and murals. It's probably only 300 metres long, but the art is stunning, bold, colourful, intricate and generally very classy.

I spent about ten minutes in the laneway on Thursday afternoon, shortly after heavy rain. A few hours earlier, I had received an email from an old friend who lives overseas, asking me if I'd ever shot images in the lane. Yes, I had, but it was high time I re-visited the place.

It began to drizzle as soon as I walked into the laneway - and this time I noticed there were about seven or eight other people there, each with cameras, walking up and down and shooting scenes along the walls and doorways.

I know you're going to ask me a simple question. You want to know the dimensions of the fish, right? I'm guessing here - but it was more than two metres high. Lucky it wasn't the one that got away.

Check out the rules at Camera Critters or go to Misty Dawn.

A Fishy Tale

Angling For An Introduction

Photograph copyright: DAVID McMAHON


This shot was one of a series that I took in Melbourne's most vibrant thoroughfare, Hosier Lane. The narrow laneway, off Flinders Street, is well known for its wall art and murals. It's probably only 300 metres long, but the art is stunning, bold, colourful, intricate and generally very classy.

I spent about ten minutes in the laneway on Thursday afternoon, shortly after heavy rain. A few hours earlier, I had received an email from an old friend who lives overseas, asking me if I'd ever shot images in the lane. Yes, I had, but it was high time I re-visited the place.

It began to drizzle as soon as I walked into the laneway - and this time I noticed there were about seven or eight other people there, each with cameras, walking up and down and shooting scenes along the walls and doorways.

I know you're going to ask me a simple question. You want to know the dimensions of the fish, right? I'm guessing here - but it was more than two metres high. Lucky it wasn't the one that got away.

Check out the rules at Camera Critters or go to Misty Dawn.