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Showing posts with label Photo Story Friday. Show all posts
Showing posts with label Photo Story Friday. Show all posts

Thursday, September 17, 2009

Standing Tall

The Grace Of Architectural Contrasts

Photograph copyright: DAVID McMAHON


These two minarets stand proud and tall atop the old Forum Theatre. I shot this on Wednesday evening, as the clouds started to build up at dusk.

I had my long lens on, so I could have framed a tighter shot, but I wanted to include a contrast in styles and shapes. The spire in the distance is part of St Paul’s Cathedral.

St Paul's had a recent facelift, but the Forum, which is such a part of Melbourne's heritage and history, is suddenly starting (from the outside, at least) to look its age. Maybe there is a refurbishment plan around the corner ....

Visit MamaGeek and Cecily, creators of Photo Story Friday.

Standing Tall

The Grace Of Architectural Contrasts

Photograph copyright: DAVID McMAHON


These two minarets stand proud and tall atop the old Forum Theatre. I shot this on Wednesday evening, as the clouds started to build up at dusk.

I had my long lens on, so I could have framed a tighter shot, but I wanted to include a contrast in styles and shapes. The spire in the distance is part of St Paul’s Cathedral.

St Paul's had a recent facelift, but the Forum, which is such a part of Melbourne's heritage and history, is suddenly starting (from the outside, at least) to look its age. Maybe there is a refurbishment plan around the corner ....

Visit MamaGeek and Cecily, creators of Photo Story Friday.

Thursday, September 10, 2009

He Ain’t Heavy, He’s My Rudder

Looking For A Change Of Direction

Photograph copyright: DAVID McMAHON


Because the rudder of any deep-sea vessel is mostly concealed beneath the surface of the water, I jumped at the chance to shoot this image about six weeks ago. This is the Polly Woodside, a 19th-century vessel built in Belfast, Ireland, by the shipbuilders Workman Clark & Co Ltd.

A major landmark here in Melbourne, she was restored in the early Seventies, to be used as a museum ship for The National Trust.

This was shot on 17 July, on a sunny winter afternoon here in Melbourne. I could have pushed the lens through a gap in the wire fence, but I chose this composition deliberately.

By using depth of field to concentrate on the rudder and the stern, showing the vessel’s name, you can actually see the criss-cross of the metal fence in the immediate foreground.

This image might not have been as effective if I’d shot it on a cloudy day. Because of the bright, sunny conditions, the metal fence pattern shows up brightly as it reflects the strong natural light.

Visit MamaGeek and Cecily, creators of Photo Story Friday.

He Ain’t Heavy, He’s My Rudder

Looking For A Change Of Direction

Photograph copyright: DAVID McMAHON


Because the rudder of any deep-sea vessel is mostly concealed beneath the surface of the water, I jumped at the chance to shoot this image about six weeks ago. This is the Polly Woodside, a 19th-century vessel built in Belfast, Ireland, by the shipbuilders Workman Clark & Co Ltd.

A major landmark here in Melbourne, she was restored in the early Seventies, to be used as a museum ship for The National Trust.

This was shot on 17 July, on a sunny winter afternoon here in Melbourne. I could have pushed the lens through a gap in the wire fence, but I chose this composition deliberately.

By using depth of field to concentrate on the rudder and the stern, showing the vessel’s name, you can actually see the criss-cross of the metal fence in the immediate foreground.

This image might not have been as effective if I’d shot it on a cloudy day. Because of the bright, sunny conditions, the metal fence pattern shows up brightly as it reflects the strong natural light.

Visit MamaGeek and Cecily, creators of Photo Story Friday.

Thursday, September 3, 2009

Rodeo D(e)rive

Maybe It Was The Horse Whisperer

Photograph copyright: DAVID McMAHON


Yes, this sign on the tailgate of a trusty old utility vehicle ("ute", as we call it) caught my eye because of its weather-beaten look and of course because of the strong colours against the white metal.

So of course I had to ask the owner if he would mind if I took a couple of quick shots. He just chuckled and gave me permission. I promised I would frame the shots really tight, so that the number plate wouldn’t be seen in the frame.

What I should have asked him, in retrospect, was how often he actually gets away to "Yee-ha" at a rodeo.

Visit MamaGeek and Cecily, creators of Photo Story Friday.

Rodeo D(e)rive

Maybe It Was The Horse Whisperer

Photograph copyright: DAVID McMAHON


Yes, this sign on the tailgate of a trusty old utility vehicle ("ute", as we call it) caught my eye because of its weather-beaten look and of course because of the strong colours against the white metal.

So of course I had to ask the owner if he would mind if I took a couple of quick shots. He just chuckled and gave me permission. I promised I would frame the shots really tight, so that the number plate wouldn’t be seen in the frame.

What I should have asked him, in retrospect, was how often he actually gets away to "Yee-ha" at a rodeo.

Visit MamaGeek and Cecily, creators of Photo Story Friday.

Thursday, August 27, 2009

Spring Loaded

You've Really Had A Growth Spurt

Photographs copyright: DAVID McMAHON


The Australian winter is almost over, with spring only a few days away. Our days are already noticeably longer - and the frosts have receded. It's been a while since we had ice, too.

But of course, because our weather is so unpredictable, we had sleet and hail in a storm on Tuesday night that left our gardens snowy white - a snap change in the weather that had 1400 calls to emergency crews in Melbourne alone.

This shot, taken in a friend's garden, is a simple depiction of new growth and natural regeneration. Come Tuesday and we'll be ushering in the first day of spring.

I shot three frames in this sequence, but I reckon the first one probably says it best, with the tender burgundy shoots appearing tall and proud from a pruned branch. I deliberately chose my angle, to make use of the subtle diagonals in the background and to include the fresh green of the diosma about two or three metres away.


Visit MamaGeek and Cecily, creators of Photo Story Friday.

Spring Loaded

You've Really Had A Growth Spurt

Photographs copyright: DAVID McMAHON


The Australian winter is almost over, with spring only a few days away. Our days are already noticeably longer - and the frosts have receded. It's been a while since we had ice, too.

But of course, because our weather is so unpredictable, we had sleet and hail in a storm on Tuesday night that left our gardens snowy white - a snap change in the weather that had 1400 calls to emergency crews in Melbourne alone.

This shot, taken in a friend's garden, is a simple depiction of new growth and natural regeneration. Come Tuesday and we'll be ushering in the first day of spring.

I shot three frames in this sequence, but I reckon the first one probably says it best, with the tender burgundy shoots appearing tall and proud from a pruned branch. I deliberately chose my angle, to make use of the subtle diagonals in the background and to include the fresh green of the diosma about two or three metres away.


Visit MamaGeek and Cecily, creators of Photo Story Friday.

Thursday, August 20, 2009

High And Mighty

Building A Huge Reputation

Photograph copyright: DAVID McMAHON


Just when you think you've photographed one of the world's landmarks too many times in one day and you cannot possibly shoot another creative image - hey, that's as good a time as any to look for an unusual angle.

I was walking away from the Petronas Towers in Kuala Lumpur in July last year when I decided to take one last shot.

I spotted the fronds of a nearby palm tree and thought it would be a great idea to try and work them into the image. I literally took this shot over my left shoulder, craning my neck backwards like a circus contortionist.

Apart from the fact that I was able to include the huge Malaysian flag that hangs on the facade of one of the towers, I really like the fact that the apex of this image includes differing geometrical shapes - straight lines, some triangles, a series of arcs, and a graceful wave-like pattern at the top of the tower.

Visit MamaGeek and Cecily, creators of Photo Story Friday.

High And Mighty

Building A Huge Reputation

Photograph copyright: DAVID McMAHON


Just when you think you've photographed one of the world's landmarks too many times in one day and you cannot possibly shoot another creative image - hey, that's as good a time as any to look for an unusual angle.

I was walking away from the Petronas Towers in Kuala Lumpur in July last year when I decided to take one last shot.

I spotted the fronds of a nearby palm tree and thought it would be a great idea to try and work them into the image. I literally took this shot over my left shoulder, craning my neck backwards like a circus contortionist.

Apart from the fact that I was able to include the huge Malaysian flag that hangs on the facade of one of the towers, I really like the fact that the apex of this image includes differing geometrical shapes - straight lines, some triangles, a series of arcs, and a graceful wave-like pattern at the top of the tower.

Visit MamaGeek and Cecily, creators of Photo Story Friday.

Thursday, August 13, 2009

The Sound Of Silence

Keeping Track Of Technology

Photograph copyright: DAVID McMAHON


I clearly remember the day that my perception of silence between soundtracks was re-defined. If you’re familiar with the era of vinyl records, you would remember the intermittent scratchiness that pervaded the long moments between tracks on each record.

But the first time I heard a CD played through an amplifier, I remember thinking how clear the sound reproduction was – so clear, in fact, that I could actually pick the sound of individual instruments.

Then as the track came to an end, I actually raised my eyebrows, because there was none of the vinyl-type scratchiness. There was real silence between tracks. That, to me, was the real definition of the quantum leap of recording technology. Yes, the sound of each track was great. But more importantly, the quality of silence on the CD really broke new ground.

It’s been years since I’ve seen a vinyl record, but this one brought back memories of the wonderful wooden-encased Grundig player that we had when I was growing up. I remember only too well the first time I was entrusted with the important duty of actually placing the stylus (or needle, as it was commonly called) on the record and listening to that slight crackle before the first track actually began playing.

The real reason I took this shot is not just because of the wonderful light across the record’s surface. I shot this angle because you can actually see the clear, ungrooved strips that produced silence between the different tracks.

Visit MamaGeek and Cecily, creators of Photo Story Friday.

The Sound Of Silence

Keeping Track Of Technology

Photograph copyright: DAVID McMAHON


I clearly remember the day that my perception of silence between soundtracks was re-defined. If you’re familiar with the era of vinyl records, you would remember the intermittent scratchiness that pervaded the long moments between tracks on each record.

But the first time I heard a CD played through an amplifier, I remember thinking how clear the sound reproduction was – so clear, in fact, that I could actually pick the sound of individual instruments.

Then as the track came to an end, I actually raised my eyebrows, because there was none of the vinyl-type scratchiness. There was real silence between tracks. That, to me, was the real definition of the quantum leap of recording technology. Yes, the sound of each track was great. But more importantly, the quality of silence on the CD really broke new ground.

It’s been years since I’ve seen a vinyl record, but this one brought back memories of the wonderful wooden-encased Grundig player that we had when I was growing up. I remember only too well the first time I was entrusted with the important duty of actually placing the stylus (or needle, as it was commonly called) on the record and listening to that slight crackle before the first track actually began playing.

The real reason I took this shot is not just because of the wonderful light across the record’s surface. I shot this angle because you can actually see the clear, ungrooved strips that produced silence between the different tracks.

Visit MamaGeek and Cecily, creators of Photo Story Friday.

Monday, August 10, 2009

Post Haste

But You Don't Look A Day Over Sixty

Photograph copyright: DAVID McMAHON


This mailbox – in an unfamiliar suburb – stopped me in my tracks last Wednesday afternoon.

Why? Two reasons, I guess. First, it’s not every day you see a light-blue mailbox. Second, it’s obviously seen better days, judging by the rust, the wonky orientation and the damage to the top.

But in totality, I saw a certain beauty here. Simply because it was, well, different. I saw something to be admired in the context of the way it fitted its surroundings – the painted picket fence, the garden and the unswept leaves that formed a beautiful bronze carpet.

Visit the creative team behind That's My World Tuesday.

Post Haste

But You Don't Look A Day Over Sixty

Photograph copyright: DAVID McMAHON


This mailbox – in an unfamiliar suburb – stopped me in my tracks last Wednesday afternoon.

Why? Two reasons, I guess. First, it’s not every day you see a light-blue mailbox. Second, it’s obviously seen better days, judging by the rust, the wonky orientation and the damage to the top.

But in totality, I saw a certain beauty here. Simply because it was, well, different. I saw something to be admired in the context of the way it fitted its surroundings – the painted picket fence, the garden and the unswept leaves that formed a beautiful bronze carpet.

Visit the creative team behind That's My World Tuesday.

Thursday, August 6, 2009

It's All About Perspective

Yes, We Sometimes Find It In Unexpected Places

Photograph copyright: DAVID McMAHON



Just about the last place you'd expect to see bright colours and an interesting message would be - let me think - a building site, right? But while I was shooting some amazing Christmas decorations along Orchard Road, Singapore, in mid-December 2007, I suddenly looked behind me.

There was a building site that was a hive of activity. But the site was cordoned off from the general public with metal fencing that sported this beautiful paintwork - and a great set of words.

The beautiful green tropical plants are not painted on - they're real. And d'you know what - that tree might look as if it was cleverly rendered into the painting, but no, it is genuine too. Yes, it's a real tree and part of the interesting perspective of the scene is the fact that the tree's contour has been integrated into the metal.

Someone has very carefully cut a hole in the metal sheeting so as not to disturb the tree in the slightest way. Construction work that does not disturb the environment in any way? Yup, that's perspective for me.

Visit MamaGeek and Cecily, creators of Photo Story Friday.

It's All About Perspective

Yes, We Sometimes Find It In Unexpected Places

Photograph copyright: DAVID McMAHON



Just about the last place you'd expect to see bright colours and an interesting message would be - let me think - a building site, right? But while I was shooting some amazing Christmas decorations along Orchard Road, Singapore, in mid-December 2007, I suddenly looked behind me.

There was a building site that was a hive of activity. But the site was cordoned off from the general public with metal fencing that sported this beautiful paintwork - and a great set of words.

The beautiful green tropical plants are not painted on - they're real. And d'you know what - that tree might look as if it was cleverly rendered into the painting, but no, it is genuine too. Yes, it's a real tree and part of the interesting perspective of the scene is the fact that the tree's contour has been integrated into the metal.

Someone has very carefully cut a hole in the metal sheeting so as not to disturb the tree in the slightest way. Construction work that does not disturb the environment in any way? Yup, that's perspective for me.

Visit MamaGeek and Cecily, creators of Photo Story Friday.

Thursday, July 30, 2009

Head Start

The Great Aussie Salute

Photographs copyright: DAVID McMAHON


The word "G'day" is instantly recognisable around the world as the quintessential Australian greeting. Over the years, I’ve seen many great depictions of the word, but this one was unique. I was at the Temora Aviation Museum in early June, watching an air show, when I noticed this person in the crowd ahead of me.

Have you ever tried taking a photograph of someone’s head when they’re watching fighters go screaming past in the sky? Let me tell you, it’s a mighty tough gig. It’s a bit like trying to do the same thing at a tennis match, when people’s heads constantly move side to side.

The weather was foggy at the start and the light wasn’t great later on, when the pilots got the all-clear, and to add to my problem, this gentleman was actually sitting under cover and a long way away from me. However, I had a long lens (70-300mm) on the camera, so this is as natural a shot as I could produce in the conditions – and it’s as Aussie a sight as you’ll ever see.

And to answer your question, G'day is simply a contraction of the phrase "Good day".


Visit MamaGeek and Cecily, creators of Photo Story Friday.

Head Start

The Great Aussie Salute

Photographs copyright: DAVID McMAHON


The word "G'day" is instantly recognisable around the world as the quintessential Australian greeting. Over the years, I’ve seen many great depictions of the word, but this one was unique. I was at the Temora Aviation Museum in early June, watching an air show, when I noticed this person in the crowd ahead of me.

Have you ever tried taking a photograph of someone’s head when they’re watching fighters go screaming past in the sky? Let me tell you, it’s a mighty tough gig. It’s a bit like trying to do the same thing at a tennis match, when people’s heads constantly move side to side.

The weather was foggy at the start and the light wasn’t great later on, when the pilots got the all-clear, and to add to my problem, this gentleman was actually sitting under cover and a long way away from me. However, I had a long lens (70-300mm) on the camera, so this is as natural a shot as I could produce in the conditions – and it’s as Aussie a sight as you’ll ever see.

And to answer your question, G'day is simply a contraction of the phrase "Good day".


Visit MamaGeek and Cecily, creators of Photo Story Friday.

Thursday, July 23, 2009

First Of The Winter Buds

Yes, There’s Beauty In Grey Starkness

Photograph copyright: DAVID McMAHON


This shot of a weeping cherry branch was taken last weekend, just after we crossed the halfway point of our Australian winter. The isolated leaves, furled tight and crisp, are a stubborn reminder that sometimes not all foliage falls to the ground.

As I lined up the shot and even after I had put the camera away, I resisted the impulse to reach out and touch the leaves, which I imagine would have felt as brittle as centuries-old parchment.

I often get asked just how cold Melbourne gets in winter. It’s colder than Sydney but not as cold as Canberra, where sub-zero nights are par for the course.

But we often get ice on the car and heavy frosts are common as well – which is precisely why I prune my roses later than most people. Why? Because there’s not much sense in subjecting tender new shoots to cruel frost.

But yes, there was a recent snowfall that attracted a lot of attention –because it blanketed Kinglake, one of many areas here that were destroyed by the February bushfires. Maybe it was a special, symbolic reassurance from Nature.

Visit MamaGeek and Cecily, creators of Photo Story Friday.

First Of The Winter Buds

Yes, There’s Beauty In Grey Starkness

Photograph copyright: DAVID McMAHON


This shot of a weeping cherry branch was taken last weekend, just after we crossed the halfway point of our Australian winter. The isolated leaves, furled tight and crisp, are a stubborn reminder that sometimes not all foliage falls to the ground.

As I lined up the shot and even after I had put the camera away, I resisted the impulse to reach out and touch the leaves, which I imagine would have felt as brittle as centuries-old parchment.

I often get asked just how cold Melbourne gets in winter. It’s colder than Sydney but not as cold as Canberra, where sub-zero nights are par for the course.

But we often get ice on the car and heavy frosts are common as well – which is precisely why I prune my roses later than most people. Why? Because there’s not much sense in subjecting tender new shoots to cruel frost.

But yes, there was a recent snowfall that attracted a lot of attention –because it blanketed Kinglake, one of many areas here that were destroyed by the February bushfires. Maybe it was a special, symbolic reassurance from Nature.

Visit MamaGeek and Cecily, creators of Photo Story Friday.